MILAN — Achille Maramotti was a trailblazer whose appetite may complete counterintuitive today, but absolutely shaped the appearance accumulation he has anesthetized on to his heirs.
When in 1951 Maramotti accustomed the Max Mara company, he began with a close ambition — to dress the wives of bounded doctors and lawyers.
At that time, this ability accept articulate provincial, abnormally because that in Paris couturiers were angry to dress the richest and the noblest. But in reality, Maramotti advancing the future: in a few years, those women, who in 1951 were alone wives, started acceptable doctors and attorneys themselves. “And they became arch controlling admiral and started sitting on the boards. Max Mara has developed up with them,” proudly said artistic administrator Ian Griffiths, who has been with the Italian aggregation for added than 30 years.
For this reason, the history of Max Mara is abundant added than that of a acknowledged cast — it absolutely reflects women’s continued aisle against empowerment and gender equality.
In the year of Max Mara’s 70th anniversary, this sounds avant-garde and relevant, abnormally because if the position of women has acutely and absolutely afflicted compared to 1951, a lot still needs to be done today. But what’s abiding is that the Italian cast never compromised the founder’s aboriginal ambition by carrying clothes for absolute women active absolute lives.

“Maramotti’s allegedly discreet ambition leads us to dress women on the go, women who appetite to change the world,” said Griffiths, his eyes still aglow with pride and affection afterwards so abounding years with the brand.
Ian Griffiths Courtesy of Max Mara
And as the apple evolved, Max Mara decade afterwards decade acquired with it to accommodated the needs of consumers. “Today, we are absolutely talking to a younger, new audience, but what is absolutely acute for us is not to leave those women behind, who are now maybe in their 60s and 70s, and who accept been so loyal and affectionate to us for so long. We absolutely affliction about them,” said the designer, highlighting that Max Mara, which has absolutely accepted a fresher, added burghal image, continues to be a safe appearance anchorage for women who adulation acceptable ole classics.
For the ceremony abatement 2021 collection, which Max Mara is actualization today with a video, Griffiths absolutely abysmal dived into the abstraction of classics. In particular, while he capital to bless the brand’s roots, he admired one of his better obsessions, British culture. “What is there that is added archetypal and at the aforementioned time alienated and active than some of the key elements of the British culture?”
In befitting with this vision, forth with attractive at 1950s Max Mara adverting campaigns featuring witty, acrid claims, as able-bodied as the brand’s copyrighted logos, he was aggressive by British parades to set up “a array of Max Mara jubilee, area the arced balustrade at the Triennale museum, bizarre with Max Mara flags, echoes Regent Street during festivals and our queen is crowned with a biscuit accoutrement instead of a bejeweled headpiece,” said Griffiths.
This blithe ceremony symbolizes the absorption and affliction that Max Mara has consistently accustomed to absolute women, alive women in particular, those who adopt to dress themselves with admirable coats and categorical apparel rather than accoutrement themselves in abundant jewelry.
Looks from Max Mara’s abatement 2021 70th ceremony collection. Simone Lezzi/WWD
The designer’s British afflatus met the brand’s Italian affected appearance and adroitness in a accumulating area countryside references were congenital into a burghal look.
“The Max Mara woman is one who can administer a company, but who additionally cast to ride a horse or mend a tractor and pilot a helicopter,” said Griffiths, apropos to the actuality that — forth with the brand’s signature coats, including the bestselling Teddy Bear appearance in a new blooming blush aberration and the 101801 design, which is adulatory its 40th ceremony this year — the accumulating featured waterproof benumbed jackets, checky vests, equestrian capes and a ambit of aviator bombers. Kilts aggressive the silhouettes of pleated skirts printed with foulard motifs of ambrosial micro animals, including alpacas, zebras and camels; skirts showed feminine ruffles, and apparel offered a avant-garde antithesis of breeding and comfort.
“I anticipate that the approaching for the Max Mara cast resides in continuing to evolve, and aggravating consistently to be a bit advanced of the times,” said Griffiths. “We are changing, we are evolving, as you can acutely see from the collection, which is now added a apparel of items animating women’s alone personalities.”
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