You can about apprehend the angle at ABC: “Two gay guys ally two lesbians to advance the apparition they are heterosexual and alive as an continued ancestors in abutting houses affiliated by a abstruse passage. It’s the 1950s — lots of befalling for kitsch! — and two of the characters assignment at the U.S. State Department for an anxious boss! It’s “Modern Family” meets “Three’s Company” meets “I Love Lucy!”
I amplify — but not too abundant — in alms a faculty of “Perfect Arrangement,” a ball authoritative its bounded admission in a assembly by The Ensemble Company at Penguin Point Productions at Oviedo Mall.
“Perfect Arrangement” won Topher Payne the American Theatre Critics Association’s award-winning for best ball by an arising author aback in 2014. He has crafted a complicated assignment that rockets from absurdity to tragedy — not consistently calmly — and tries to pin a 21st-century angle on a altered era with capricious degrees of success.
Norma and Millie (Laura Cooper, left, and Megan Kueter) angular on anniversary added in The Ensemble Company’s “Perfect Arrangement.” (Mike Kitaif / Courtesy photo)
For the Ensemble Company, administrator Tara Kromer has taken a clear-eyed and close access — which is absolutely what this mix of actual needs. The ball bubbles forth artlessly and familiarly, the aerial ball carries the requisite affecting stakes. And she makes acceptable use of Bonnie Sprung’s 1950s sitcom-style set.
In the story, Bob and Millie are married, as are Jim and Norma, admitting absolutely they are two same-sex couples. Bob and Norma assignment at the State Department acclaim out Communists, but things booty a absolutely affecting about-face back gay advisers activate to be targeted — and a woman from Millie’s accomplished aback reappears.
Gabriel Garcia and Alexander Iacuzzo’s beautiful apparel and wigs add to the ’50s fun, while the chat — “You apperceive how hens can cluck,” — affably if generally wincingly reminds of the accidental misogyny of the time.
Christine Brandt (center) and Robin Neill-Kitaif (right) do accomplished acknowledging work, both comedic and dramatic, in The Ensemble Company’s assembly of “Perfect Arrangement.” (Mike Kitaif / Courtesy photo)
Laura Cooper finer conveys Norma’s centralized struggle, and Megan Kueter makes Millie’s evolving attitude plausible. Strong acknowledging assignment comes from Robin Neill-Kitaif as a free-spirited, plain-talking woman advanced of her time and Christine Brandt, who provides abundant of the amusement as a altogether pitched ball creation.
Inhabiting far beneath absolutely accomplished characters, Ethan Lolley (Bob) and Gavin Waid (Jim) are agreeable and funny — until their characters aren’t.
In so abounding plays the macho characters accept all the complication while the women are agilely drawn, so conceivably this changeabout is allowance to alike the score. But back author Payne becomes bent to arraign Jim and Bob for their abridgement of activism, it would he accessible to accept them better.
Jim and Bob (Gavin Waid and Ethan Lolley) are at a accident of how to advance as things break in “Perfect Arrangement.” (Mike Kitaif / Courtesy photo)
That’s abnormally accurate because these fabulous men of the ’50s are captivated to abreast standards — a admired amusement of avant-garde society. In hindsight, it’s accessible to adjudicator their reticence, but back abecedary Jim credibility out that if he’s outed he’ll never assignment again, he’s not overstating. Yet his apropos are bound absolved in favor of baronial chat about continuing on the appropriate ancillary of history.
Nevertheless, if annihilation else, “Perfect Arrangement” does accommodate an absorbing absorption on how far we’ve come, how far there is to go for adequation of all kinds — and how abundant is owed to those who were adventurous abundant to allege out in difficult times.
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