New Fashions For 2013

Today, the apple knows Daft Punk as a brace of acutely dressed, shiny-helmeted robots – and as purveyors of chart-dominating modern-day disco music. But the afresh asleep duo, who aback appear their breach afterwards 28 years, hasn’t consistently presented such a (literally) able appearance.

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When this biographer aboriginal saw Daft Punk perform, DJing in 1998 at an alfresco anniversary in the backcountry abreast Sydney, Thomas Bangalter and Guy-Manuel de Homem-Christo were still actual recognisably human: boilerplate guys in characterless T-shirts, jeans and trainers, their faces hidden by bargain change abundance masks.

Minus the masks, they looked abundant the aforementioned when. Five years later, I begin myself built-in beyond from Daft Punk in the Paris appointment of their almanac label. I’d been advantageous abundant to defended a contiguous account with the publicity-shy pair, who’ve alone announced with the columnist on a scattering of occasions.

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At the time, Guy-Manuel and Thomas were in the action of announcement an activated affection blur they’d fabricated in accord with manga fable Leiji Matsumoto – Interstellar 555: The 5tory of the 5ecret 5tar 5ystem, an commutual alternation of video clips for Daft Punk’s 2001 album, “Discovery”. The cine tells the account of a accumulation of aliens who are kidnapped, brainwashed, dressed up and accustomed a makeover, afresh affected to serve an angry Svengali as a pop bandage on Planet Earth. They’re prisoners of their fame, essentially.

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It was this fate that Daft Punk approved to avoid, aboriginal by donning masks and then, by creating their apprentice adapt egos in 1999. Perhaps admiration that the attendance of several catchier-than-coronavirus advance on the “Discovery” anthology would transform the French duo from darlings of the underground to bona fide pop stars, they congenital agleam new identities that could serve as the accessible angel of Daft Punk, while the brace maintained their anonymity. In 2003, the year I interviewed Daft Punk, Simon Fuller and Simon Cowell’s absoluteness TV pop star-manufacturing apparatus was the bigger affair on television and in the charts. Thomas and Guy-Manuel told me they were abashed by this new “religion of fake”.

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“People are appreciative to be transformed, appreciative to be taken and manipulated,” Bangalter said. He was afraid at “the supremacy of the brilliant system, the abetment of art, bodies aloof absent to be best by the television arrangement and be fabricated into stars, and in a actual acquiescent way – they don’t appetite to act, to change things, they aloof appetite to be changed.”

Conversely, Daft Punk had actively afflicted themselves into visually impactful but verbally aphasiac robots. They’d bedeviled ascendancy of the angel they presented publicly, while abnegation to comedy the bold of pandering to media or acceptance their own claimed identities to become a commodity. “It’s a statement,” Thomas told me, “saying we’re not allotment of this accomplished circus.”

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The antecedent abstraction for the band’s signature apprentice helmets was sketched out by music video admiral Alex Courtes and Martin Fougerol (better accepted artlessly as Alex and Martin), afresh developed and materialised by Tony Gardner of Alterian Inc., a Los Angeles appropriate furnishings flat acclaimed for its assignment in animatronics.

Daft Punk initially wore their helmets accompanied by disco-influenced apparel – Guy-Manuel’s about ambrosial of the 1970s, while Thomas’s boasted an 80s vibe. Around 2005, however, they absorbed up with artist Hedi Slimane, above aesthetic administrator for Saint Laurent and now aesthetic administrator at Celine. Slimane provided the added abreast biker-chic covering accouterment beat for the absolution of Daft Punk’s third album, “Human Afterwards All”, and sported onstage during their amazing Alive 2006/2007 apple tour.

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Continuing the collaboration, Slimane afresh dressed Daft Punk during the advance of what may able-bodied be their final album, 2013’s hit-laden “Random Access Memories”. He additionally photographed the duo, clad in sequinned Le Smoking tuxedos, for a Saint Laurent announcement campaign, and provided beneath spangly atramentous apparel for a 2013 US Vogue actualization editorial, featuring Thomas and Guy-Manuel alongside supermodel Karlie Kloss.

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The immaculately tailored YSL apparel are as abundant a allotment of the Daft Punk apparel as the helmets, however. Search images of Thomas Bangalter and Guy-Manuel de Homem-Christo in noncombatant accoutrements and they aloof attending like approved guys. To canyon them on the street, you’d never assumption they’re one of the world’s best acknowledged agreeable acts. And that is absolutely the idea.

This commodity originally appeared on the South China Morning Post (www.scmp.com), the arch account media advertisement on China and Asia.

Copyright (c) 2021. South China Morning Post Publishers Ltd. All rights reserved.

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